A product of 1920s euphoria and the Depression that followed, there is nothing quite like Vancouver’s Marine Building. Though dwarfed by it’s more modern neighbors, the Marine Building is host to an endless stream of tourists and the curious, and no wonder.
The story is a familiar one. A small city with a fast growing economy wanted a major building to tell the world their town had arrived. The sky was the limit. Let no one in New York or Toronto suggest otherwise.
And it was true. The opening of the Panama Canal was a windfall for the port of Vancouver.
Enter Lt. Commander J.W. Hobbs who conceived an Art Deco skyscraper that conveyed pride, success and (in large measure) the unique things that made Vancouver special.
Fish, of course. But lobsters and shrimp, snails and whales…that put things over the top!
Then there were ships, Canadian geese and signs of the zodiac. And somehow they managed to work in more conventional wonders of the day, locomotives and Zeppelins.
Among details almost too numerous to list: two massive stained glass windows, extremely ornate plasterwork by Giles Holroyd, walls partly covered in tooled lineoleum, sconces shaped like a ship’s bow and elevators whose cabs display 12 varieties of British Columbia hardwood. All is as it was, except for the original cork floor which has been replaced with more durable material.
The lobby, while not particularly large, is almost otherworldly, making the Marine Building a popular location for movies and TV, especially science fiction. You might think of it as Canada’s answer to the Bradbury Building.
The Marine Buiding’s tilework is by Ernest Batchelder, an important figure in the Arts & Crafts movement who enjoyed great success in southern California, providing tile for the area’s Spanish and Mediterranean styled architecture.
One can sense the optimism and pride that led to this incredible effort but the Marine Building met with a fate similar to the Empire State and Chrysler buildings: started in good times; finshed in bad.
The Marine Building opened in 1930. At a cost of $2.3 million (a bit more than double the budget) there was already trouble. In 1931, the building’s owners, the G.A. Stimson Company tried to sell the place to the city, to be the new City Hall, but the deal collapsed.
Finally, in 1933, the British Pacific Building Company stepped in, buying the Marine Building for a steal, just $900,000. British Pacific was part of the Guiness empire which, having been in business since 1759, had accumulated sufficient wealth to coast through the Depression. To this day, you can buy their product in the pub adjacent to the lobby. Art Deco isn’t the only thing that stands the test of time.
By the way, if you’d like to know more about Vancouver’s history or would like a guided tour of the Marine Building and other local attractions, I highly reccomend the outstanding and fun Forbidden Vancouver tours.
Thanks for your excellent photos of an amazing building I’d not heard of!
Thanks! Glad you enjoyed the photos.
A bit of good news about Art Deco
architectural heritage…
Today in The Guardian newspaper (England)
“France’s art deco jewel is reborn to make an even bigger splash”
https://www.theguardian.com/artanddesign/2018/oct/21/france-art-deco-jewel-swimming-pool-art-gallery-reopens
Great and very interesting news. Thanks!
Being a decophile I often come across your outstanding photography in different cities I have visited. Living in Vancouver for eight years I had some time to see much of the wonderful examples they have on display there. The Marine building is by far my most favourite and the history behind the building is also quite interesting. I like watching movies that were made featuring the Marine building and environs. You are a very talented individual, enjoy your adventures!
Thank you for your kind comments, Beryl. Tne Marine Building seems to be a popular spot for science fiction. I’ve seen episodes of Continuum and Altered Carbon that were filmed there. No doubt there are plenty more!
Whenever I get into a creative funk I drive to The Marine Building, enter and do a tour of the main and mezzanine level. I then sit on the floor and stare at the plaster work for a while listening to The Boswell Sisters, Fats Wallerand Duke Ellington and leave refreshed. I was born too late.